Glenn Potter-Takata is a Japanese-American artist working in performance. His practice is somatic-based, utilizing score-based movement, improvisation, video, and appropriated media to create performances around the body as a historical site in post-Internment America. Preoccupied with the consumer culture runoff from the Japanese archipelago, Glenn juxtaposes the materiality of consumer detritus with his interest in concepts of emptiness and nothingness.